{"id":54242,"date":"2014-08-25T17:01:25","date_gmt":"2014-08-25T14:01:25","guid":{"rendered":"https:\/\/www.17047165566933.sritis.lt\/index.php\/2014\/08\/25\/mokesi-baltiskosios-raugo-keramikos\/"},"modified":"2014-08-25T17:01:25","modified_gmt":"2014-08-25T14:01:25","slug":"mokesi-baltiskosios-raugo-keramikos","status":"publish","type":"post","link":"https:\/\/www.santaka.info\/index.php\/2014\/08\/25\/mokesi-baltiskosios-raugo-keramikos\/","title":{"rendered":"Mok\u0117si balti\u0161kosios raugo keramikos"},"content":{"rendered":"<p><em>Renata VITKAUSKIEN\u0116<\/em><\/p>\n<p>Praeit\u0105 savait\u0119 vyko keramik\u0173 ir tapytoj\u0173 pleneras \u201eS\u016bduvi\u0173 \u017eem\u0117: Bartninkai 2014\u201c.<br \/>\n<br \/>Lietuvos kult\u016bros tarybai skyrus finansavim\u0105 Vilkavi\u0161kio kult\u016bros centro parengtam projektui, pasimokyti vieni i\u0161 kit\u0173 \u012f Bartninkus suva\u017eiavo skirting\u0173 kart\u0173 ir k\u016brybin\u0117s patirties menininkai.<br \/>\n<br \/>J\u0173 k\u016brybin\u0117mis dirbtuv\u0117mis penkias dienas buvo tapusi Babeck\u0173 \u0161eimos kaimo turizmo sodyba. Vilkavi\u0161kio vaik\u0173 ir jaunimo centro dail\u0117s studijos vadov\u0117 Stas\u0117 Zelinauskait\u0117 \u012f plener\u0105 pakviet\u0117 buvusius savo mokinius, pri\u0117m\u0117 pas j\u0105 tebesimokan\u010dias merginas, kurios galvoja ateit\u012f susieti su menu.<br \/>\n<br \/>Keramikos paslap\u010di\u0173 bendramin\u010dius mok\u0117 buv\u0119s S. Zelinauskait\u0117s mokinys Andrius Janulaitis. Keramikas, su moliu dirbantis nuo 2002 m., yra perprat\u0119s ne vien\u0105 jo apdorojimo technologij\u0105. Plenere A. Janulai\u010dio mokiniais buvo ir jokios patirties keramikos srityje neturintys, ir jau pa\u017eeng\u0119 k\u016br\u0117jai. Meistrui pasi\u016blius, jie i\u0161m\u0117gino senovin\u0119 raugo keramikos technologij\u0105.<br \/>\n<br \/>Raugo keramika \u2013 vienas i\u0161 archaji\u0161kiausi\u0173 molio apdirbimo b\u016bd\u0173. Jo istorija siekia daugiau nei t\u016bkstant\u012f met\u0173. \u0160it\u0105 technik\u0105 \u017emon\u0117s taik\u0117, kol dar nemok\u0117jo glaz\u016bruoti.<br \/>\n<br \/>\u201e\u0160i unikali ikiglaz\u016brin\u0117 keramika naudota tik Baltijos kra\u0161tuose. Kad molio dirbiniai nepraleist\u0173 vandens ir tikt\u0173 naudoti buityje, juos padengdavo raugu. Kelias dienas nat\u016braliai d\u017ei\u016bv\u0119s lipdinys v\u0117liau 5\u20136 valandas degamas 1000 \u00b0C temperat\u016broje ir i\u0161trauktas i\u0161 krosnies kar\u0161tas i\u0161syk merkiamas \u012f v\u0117s\u0173 nat\u016bral\u0173 raug\u0105. \u0160is u\u017ekepina molio poras, \u2013 ai\u0161kino keramikas A. Janulaitis. \u2013 Burbuliuodamas, b\u0117gdamas \u017eemyn raugas pridega prie daikto visokiais ornamentais. I\u0161 raugo i\u0161trauktas gaminys merkiamas \u012f vanden\u012f, kad \u0161is u\u017efiksuot\u0173 spalv\u0173 tonus. \u012e taip apdorot\u0105 molin\u012f ind\u0105 vanduo geriasi kur kas ma\u017eiau negu \u012f t\u0105, kuris yra tik i\u0161degtas, bet neglaz\u016bruotas.\u201c<br \/>\n<br \/>\u201eRaugas b\u016bna pana\u0161us \u012f raugiam\u0105 duonai, u\u017emai\u0161ytas i\u0161 kukur\u016bz\u0173, milt\u0173 ir rugi\u0173\u201c, \u2013 sak\u0117 S. Zelinauskait\u0117, \u0161it\u0105 senovin\u0119 technik\u0105 pati i\u0161m\u0117ginusi jau anks\u010diau.<br \/>\n<br \/>Taikant raugo technologij\u0105 dirbinys pasipuo\u0161ia savoti\u0161ku ir vienetiniu dekoru. Visas procesas \u2013 grynas rank\u0173 darbas. Technologija sujungia pagrindinius gamtos elementus. Molis \u2013 tai \u017eem\u0117, krosnis \u2013 ugnis, raugas \u2013 gyvyb\u0117s kupinas vanduo. Raugo keramikos dirbiniai \u012fdom\u016bs istori\u0161kai ir patraukia ak\u012f archaji\u0161ku gro\u017eiu, atrodo lyg b\u016bt\u0173 nulipdyti i\u0161 duonos. Padaryti antr\u0105 lygiai tok\u012f pat\u012f daikt\u0105 d\u0117l technologijos specifikos ne\u012fmanoma.<br \/>\n<br \/>Plenero dalyviai prilipd\u0117 tiek darb\u0173, kad jie netilpo \u012f vien\u0105 degimo krosn\u012f, tad ekspromtu i\u0161 \u0161amotini\u0173 plyt\u0173 teko statyti dar ir antr\u0105.<br \/>\n<br \/>\u201eDar pabandysime kelis dirbinius apdirbti raku technika\u201c, \u2013 plenerui persiritus \u012f antr\u0105j\u0105 pus\u0119 sak\u0117 A. Janulaitis ir paai\u0161kino, kad tai yra senas, japon\u0173 taikytas molio apdorojimo b\u016bdas. \u012e degimo krosn\u012f dedamas nat\u016braliai i\u0161d\u017ei\u016bv\u0119s ir glaz\u016bra padengtas dirbinys. Degamas molis sutvirt\u0117ja, o glaz\u016bra pasidaro lipni kaip medus. I\u0161degintas kar\u0161tas lipdinys metamas \u012f med\u017eio pjuvenas. \u0160ios nepraleid\u017eia oro, nuo kar\u0161\u010dio i\u0161dega deguonis, vykstant redukcijos procesui glaz\u016bra pakei\u010dia spalv\u0105.<br \/>\n<br \/>Plenero vadov\u0117 S. Zelinauskait\u0117 svarst\u0117: \u201eKai \u0161itie \u017emon\u0117s liks vieni, gal m\u0117gins susikurti kok\u012f lau\u017e\u0105 ir u\u017esiims keramika, gal \u0161iek tiek \u201esusirgs\u201c moliu. Nuolat skubantis ir \u012f tam tikrus reikalavim\u0173 bei rutinos r\u0117mus \u012fspraustas \u017emogus lipdydamas tur\u0117s galimyb\u0119 pab\u016bti su savimi, \u012fsiklausyti \u012f save.\u201c<br \/>\n<br \/>\u0160i k\u016brybin\u0117 stovykla buvo skirta tam, kad menininkai gal\u0117t\u0173 i\u0161m\u0117ginti kelias dail\u0117s r\u016b\u0161is. Tapybos darb\u0173 Bartninkuose suk\u016br\u0117 Audron\u0117 Gurinskien\u0117, Simona \u0160ala\u0161evi\u010di\u016bt\u0117. Restaurator\u0117 Jolanta Skrinskait\u0117 pagal istorin\u0119 nuotrauk\u0105 nutap\u0117 sen\u0105j\u0105 Bartnink\u0173 ba\u017eny\u010di\u0105 \u2013 toki\u0105, kokia ji buvo iki apgriaunant.<br \/>\n<br \/>Plenere k\u016br\u0117 menotyrinink\u0117 Au\u0161rin\u0117 Dubauskien\u0117, Milda Urb\u0161yt\u0117, Martynas Krupinskas, kiti k\u016brybingi \u017emon\u0117s.<br \/>\n<br \/>\u201eBe k\u016brybos, \u010dia dar ir bendraujama, susitinka buv\u0119 bendramoksliai, tarp j\u0173 atsinaujina ry\u0161iai, \u2013 sak\u0117 S. Zelinauskait\u0117. \u2013 Surinkti jaunus k\u016br\u0117jus \u012f \u0161it\u0105 stovykl\u0105 lengva nebuvo. Kita vertus, sunkumo prie\u017eastis mane d\u017eiugina, nes visi kalbinti atva\u017eiuoti jauni menininkai turi darbus. Smagu, kad baig\u0119 dail\u0117s studijas mano buv\u0119 mokiniai netapo bedarbiais. Vilkavi\u0161kio vaikai \u2013 alkani meno, siekiantys \u017eini\u0173. Dalis j\u0173 keliauja po \u012fvairias \u0161alis. B\u016btent \u0161i patirtis man pad\u0117jo plenerui parinkti globalizacijos tem\u0105.\u201c<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Renata VITKAUSKIEN\u0116 Praeit\u0105 savait\u0119 vyko keramik\u0173 ir tapytoj\u0173 pleneras \u201eS\u016bduvi\u0173 \u017eem\u0117: Bartninkai 2014\u201c. Lietuvos kult\u016bros tarybai skyrus finansavim\u0105 Vilkavi\u0161kio kult\u016bros centro parengtam projektui, pasimokyti vieni i\u0161 kit\u0173 \u012f Bartninkus suva\u017eiavo&#8230; <\/p>\n","protected":false},"author":1,"featured_media":54243,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","jetpack_post_was_ever_published":false,"_FSMCFIC_featured_image_caption":"Audron\u0117 Gurinskien\u0117 i\u0161 nat\u016bros tap\u0117 vandens lelijas. \/ Autor\u0117s nuotr.","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[110],"tags":[],"class_list":["post-54242","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kuryba","pmpro-has-access"],"featured_image_urls":{"full":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20140825170125.jpg",300,405,false],"thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20140825170125-150x150.jpg",150,150,true],"medium":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20140825170125-222x300.jpg",222,300,true],"medium_large":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20140825170125.jpg",300,405,false],"large":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20140825170125.jpg",300,405,false],"1536x1536":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20140825170125.jpg",300,405,false],"2048x2048":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20140825170125.jpg",300,405,false],"post-thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20140825170125-300x400.jpg",300,400,true],"visualnews_post_thumb":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20140825170125-300x400.jpg",300,400,true],"woocommerce_thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20140825170125-300x300.jpg",300,300,true],"woocommerce_single":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20140825170125.jpg",300,405,false],"woocommerce_gallery_thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20140825170125-100x100.jpg",100,100,true]},"author_info":{"info":["admin"]},"category_info":"<a href=\"https:\/\/www.santaka.info\/index.php\/category\/kultura\/kuryba\/\" rel=\"category tag\">K\u016bryba<\/a>","tag_info":"K\u016bryba","comment_count":"0","jetpack_featured_media_url":"https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20140825170125.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts\/54242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/comments?post=54242"}],"version-history":[{"count":0,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts\/54242\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/media\/54243"}],"wp:attachment":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/media?parent=54242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/categories?post=54242"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/tags?post=54242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}