{"id":30146,"date":"2019-09-30T17:23:28","date_gmt":"2019-09-30T14:23:28","guid":{"rendered":"https:\/\/www.17047165566933.sritis.lt\/index.php\/2019\/09\/30\/dvaro-dvasia-atgaivino-sokis-ir-kvapas-muzika-ir-dailes-paroda\/"},"modified":"2019-09-30T17:23:28","modified_gmt":"2019-09-30T14:23:28","slug":"dvaro-dvasia-atgaivino-sokis-ir-kvapas-muzika-ir-dailes-paroda","status":"publish","type":"post","link":"https:\/\/www.santaka.info\/index.php\/2019\/09\/30\/dvaro-dvasia-atgaivino-sokis-ir-kvapas-muzika-ir-dailes-paroda\/","title":{"rendered":"Dvaro dvasi\u0105 atgaivino \u0161okis ir kvapas, muzika ir dail\u0117s paroda"},"content":{"rendered":"<p><em>Renata VITKAUSKIEN\u0116<\/em><\/p>\n<p>&bdquo;Europos paveldo dienos Lietuvoje vyksta 26-\u0105j\u012f kart\u0105. Joms skirtas renginys Pae\u017eeri\u0173 dvare &ndash; vienas i\u0161 ma\u017edaug trij\u0173 \u0161imt\u0173, surengt\u0173 visoje \u0161alyje, &ndash; sveikindama susirinkusiuosius Pae\u017eeri\u0173 dvare sak\u0117 Kult\u016bros paveldo departamento prie Kult\u016bros ministerijos Marijampol\u0117s skyriaus ved\u0117ja Violeta Kasperavi\u010di\u016bt\u0117. &ndash; \u0160i\u0173 met\u0173 \u0161\u016bkis &bdquo;Pa\u017eink ir pramogauk!&ldquo; Pa\u017ein\u0119 kult\u016bros paveld\u0105 j\u012f ir pamilstame. Pa\u017ei\u016br\u0117kime \u012f paveld\u0105 linksmai, pasid\u017eiaukime tuo, k\u0105 turime!&ldquo;  <br \/> <br \/>\nR\u016bm\u0173 prieigose sutikti Vilkavi\u0161kio kult\u016bros centro jaunimo pu\u010diam\u0173j\u0173 instrument\u0173 orkestro (vad. S. Mickevi\u010dius) nuotaikingos muzikos ir \u0161ok\u0117j\u0173 (vad. Sonata Jankien\u0117), renginio dalyviai buvo pakviesti \u012f paveiksl\u0173 parodos atidarym\u0105.  <br \/> <br \/>\nPo jo visiems metams dvaro men\u0117se liko kab\u0117ti parodos &bdquo;Mecenato dovanos atvyksta \u012f gimtin\u0119&ldquo; paveikslai &ndash; garsaus kolekcininko Mykolo \u017dilinsko sukaupto dail\u0117s lobyno dalis. Kaip sak\u0117 rengin\u012f vedusi Suvalkijos (S\u016bduvos) kult\u016bros centro-muziejaus darbuotoja Virginija Samuolien\u0117, kolekcija apima Pae\u017eeri\u0173 dvaro r\u016bmams artim\u0105 laikotarp\u012f &ndash; XVIII a. pab. &ndash; XX a. pr. Drob\u0117se &ndash; to meto diduomen\u0117s gyvensena, pom\u0117giai. Parodoje dominuoja reprezentaciniai didik\u0173, mokslinink\u0173 portretai. Jie liudija t\u0173 laik\u0173 diduomen\u0117s nor\u0105 \u012fsiam\u017einti, dom\u0117jim\u0105si politika ir mokslu. Beje, k\u0105 tik, rugs\u0117jo 29 dien\u0105, buvo minimos mecenato M. \u017dilinsko 115-osios gimimo metin\u0117s.  <br \/> <br \/>\nPirmieji parod\u0105 ap\u017ei\u016br\u0117jo sve\u010diai, Europos paveldo dien\u0173 proga atvyk\u0119 \u012f Pae\u017eeri\u0173 dvar\u0105 i\u0161 Vilniaus, Kauno miest\u0173 bei i\u0161 m\u016bs\u0173 rajono. Vilkavi\u0161kie\u010diams \u0161\u012fkart bene gausiausiai atstovavo asociacijos &bdquo;Sen\u0173 ve\u017eim\u0173&ldquo; klubo nariai.  <br \/> <br \/>\nPasklidusius po r\u016bm\u0173 menes ap\u017ei\u016br\u0117ti Europos dailinink\u0173 XVIII a. pab. &ndash; XX a. pr. tapyt\u0173 paveiksl\u0173 \u017emones lyd\u0117jo Marijampol\u0117s kult\u016bros centro ansamblio &bdquo;Cantare&ldquo; (vad. Svetlana Maurutien\u0117) romanti\u0161ka dvar\u0173 muzika. Ta\u010diau kai kamerinis ansamblis u\u017egrojo polonez\u0105, \u0161i melodija visus v\u0117l sutelk\u0117 \u012f biliardo sal\u0119 prie muzikant\u0173.  <br \/> <br \/>\n\u010cia buvo pristatytas lektorius, architekt\u016brologas, architektas Marius Dara\u0161kevi\u010dius. Jo mokslinio darbo sritys yra XVIII a. pab. &ndash; XX a. pr. Europos architekt\u016bros, taikomosios ir dekoratyvin\u0117s dail\u0117s istorija bei teorija, Ryt\u0173 Europos (Lietuvos, Baltarusijos, ryt\u0173 Palenk\u0117s) architekt\u016bra ir taikomoji bei dekoratyvin\u0117 dail\u0117 (r\u016bmai, dvarai, interjeras), Lietuvos bajor\u0173 materialin\u0117 kult\u016bra, ypa\u010d susijusi su valgomojo kult\u016bra. Menotyros doktoranto \u0161iuo metu ra\u0161omos disertacijos tema &ndash; &bdquo;Valgomasis Lietuvos dvarinink\u0173 namuose XIX am\u017eiuje&ldquo;. Dalydamasis \u0161i\u0173 sri\u010di\u0173 \u017einiomis, lektorius ved\u0117 autorin\u0119 ekskursij\u0105 po r\u016bm\u0173 reprezentacines, priva\u010dias ir tarnybines patalpas. Ekskursantai i\u0161girdo pasakojimus apie XVIII&ndash;XIX a. aristokratijos gyvensenos ypatybes, l\u0117musias savit\u0105 r\u016bm\u0173 suplanavim\u0105 bei patalp\u0173 puo\u0161yb\u0105.  <br \/> <br \/>\nEkskursijos dalyviai gal\u0117jo pasijusti tarsi dvaro \u0161eimininko svarb\u016bs sve\u010diai, kurie buvo priimami parodant did\u017eiausi\u0105 pagarb\u0105. Juk tikrai ne kiekvienas asmuo, per\u017eeng\u0119s r\u016bm\u0173 slenkst\u012f, grie\u017eiant muzikantams \u0161oko polonez\u0105 gra\u017eiojoje M\u016bz\u0173 sal\u0117je. O Europos paveldo dien\u0173 dalyviai \u0161oko! Jie taip pat i\u0161girdo apie sve\u010di\u0173 susodinimo valgomajame kelis variantus ir asmenims prie stalo paskirt\u0173 skirting\u0173 viet\u0173 reik\u0161m\u0119, apie rusi\u0161k\u0105, pranc\u016bzi\u0161k\u0105 stalo dengimo b\u016bdus.  <br \/> <br \/>\nKlausantis M. Dara\u0161kevi\u010diaus buvo galima \u012fsivaizduoti, kaip kei\u010diantis sezonams \u012f dvar\u0105 atvyksta apmu\u0161\u0117jai, kurie pakei\u010dia vis\u0105 r\u016bm\u0173 tekstil\u0119, uosti kvap\u0105 odekolono, kur\u012f ta pati ital\u0173 \u0161eima pagal t\u0105 pat\u012f recept\u0105 iki \u0161iol gamina nuo 1709 m. met\u0173 ir kuriuo gal\u0117jo kvep\u0117ti Pae\u017eeri\u0173 dvaro r\u016bm\u0173 men\u0117s&#8230;  <br \/> <br \/>\n&bdquo;Ar gali senas dvaras dar kuo nors nustebinti, ar galima dar jame atrasti ka\u017ek\u0105 naujo, nepa\u017einto?&ldquo; &ndash; r\u016bp\u0117jo dabartiniams Pae\u017eeri\u0173 dvaro \u0161eimininkams. Dvaras tikrai nustebino, atgij\u0119s dar negird\u0117tose istorijose, praturt\u0117j\u0119s dail\u0117s paveldo eksponatais.    <\/p>\n<p>   Gali b\u016bti aktualus  <b>     <a href=\"https:\/\/www.narbutas.lt\/produktai\/stalai\/reguliuojamo-aukscio-stalai\/\">  reguliuojamo auk\u0161\u010dio stalas  <\/a>    <\/b>    <\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Renata VITKAUSKIEN\u0116 &bdquo;Europos paveldo dienos Lietuvoje vyksta 26-\u0105j\u012f kart\u0105. Joms skirtas renginys Pae\u017eeri\u0173 dvare &ndash; vienas i\u0161 ma\u017edaug trij\u0173 \u0161imt\u0173, surengt\u0173 visoje \u0161alyje, &ndash; sveikindama susirinkusiuosius Pae\u017eeri\u0173 dvare sak\u0117 Kult\u016bros&#8230; <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","jetpack_post_was_ever_published":false,"_FSMCFIC_featured_image_caption":"Ekskursijos vadovas Marius Dara\u0161kevi\u010dius dvaro men\u0119 i\u0161kvepino itali\u0161ku odekolonu, kokiu joje gal\u0117jo dvelkti XVIII a. pabaigoje \u2013 XX a. prad\u017eioje. \/ Autor\u0117s nuotr.","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-30146","post","type-post","status-publish","format-standard","hentry","category-uncategorized","pmpro-has-access"],"featured_image_urls":{"full":"","thumbnail":"","medium":"","medium_large":"","large":"","1536x1536":"","2048x2048":"","post-thumbnail":"","visualnews_post_thumb":"","woocommerce_thumbnail":"","woocommerce_single":"","woocommerce_gallery_thumbnail":""},"author_info":{"info":["admin"]},"category_info":"<a href=\"https:\/\/www.santaka.info\/index.php\/category\/uncategorized\/\" rel=\"category tag\">Be kategorijos<\/a>","tag_info":"Be kategorijos","comment_count":"0","jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts\/30146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/comments?post=30146"}],"version-history":[{"count":0,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts\/30146\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/media?parent=30146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/categories?post=30146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/tags?post=30146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}