{"id":28599,"date":"2019-07-04T11:06:02","date_gmt":"2019-07-04T08:06:02","guid":{"rendered":"https:\/\/www.17047165566933.sritis.lt\/index.php\/2019\/07\/04\/vilniuje-pristatoma-krastiecio-broniaus-leonaviciaus-paroda\/"},"modified":"2019-07-04T11:06:02","modified_gmt":"2019-07-04T08:06:02","slug":"vilniuje-pristatoma-krastiecio-broniaus-leonaviciaus-paroda","status":"publish","type":"post","link":"https:\/\/www.santaka.info\/index.php\/2019\/07\/04\/vilniuje-pristatoma-krastiecio-broniaus-leonaviciaus-paroda\/","title":{"rendered":"Vilniuje pristatoma kra\u0161tie\u010dio Broniaus Leonavi\u010diaus paroda"},"content":{"rendered":"<p><em><\/em><\/p>\n<p>\u0160iandien Lietuvos nacionaliniame muziejuje pristatyta i\u0161 Vi\u0161ty\u010dio kilusio menininko darb\u0173 paroda. Daugiau nei \u0161imtas apipavidalint\u0173 knyg\u0173, nepaprastu grak\u0161tumu ir d\u0117mesiu detalei i\u0161siskiriantys grafikos, tapybos, kaligrafijos bei skulpt\u016bros darbai, su\u017eav\u0117j\u0119 ne tik Lietuvos, bet ir Vokietijos, Norvegijos, Pranc\u016bzijos, Rusijos \u017ei\u016brovus, &ndash; visa tai Broniaus Leonavi\u010diaus (g. 1933) k\u016bryba.  <\/p>\n<p>  <b>  Du k\u016br\u0117jai, viena t\u0117vi\u0161k\u0117 ir 250 met\u0173 skirtumas   <\/b>    <br \/> <br \/>\nLietuvos nacionalinio muziejaus parod\u0173 erdv\u0117je dailininkas pristato 27 iliustracij\u0173 cikl\u0105, \u012fkv\u0117pt\u0105 Kristijono Donelai\u010dio &bdquo;Met\u0173&ldquo;.  <br \/> <br \/>\nLeonavi\u010di\u0173 ir K. Donelait\u012f skiria 250 met\u0173, ta\u010diau jungia ta pati t\u0117vi\u0161k\u0117, tapusi \u012fkv\u0117pimo \u0161altiniu abiem k\u016br\u0117jams. Tolminkiemis, kuriame gyveno K. Donelaitis, ir Vi\u0161tytis, kuriame u\u017eaugo B. Leonavi\u010dius, vienas nuo kito nutol\u0119 tik per pauk\u0161\u010dio skryd\u012f &ndash; vos 15 kilometr\u0173.  <br \/> <br \/>\nLeonavi\u010diaus sukurtas &bdquo;Met\u0173&ldquo; ciklas atveria panoraminius Ma\u017eosios Lietuvos vaizdus, kuriuose dailininkas, kruop\u0161\u010diai i\u0161studijav\u0119s \u012fvairi\u0105 to laikotarpio med\u017eiag\u0105, meistri\u0161kai perteikia etnografin\u0119 aplink\u0105, kra\u0161to tautinius apdarus bei darbo \u012frankius.  <br \/> <br \/>\n&bdquo;Man r\u016bp\u0117jo atskleisti to kra\u0161to gamtos ir etnografin\u012f savitum\u0105, tod\u0117l neatsitiktinai iliustracijose \u012fra\u0161yti Liudviko R\u0117zos ir Viliaus Kalvai\u010dio lietuvinink\u0173 dain\u0173 tekstai&ldquo;, &ndash; pasakoja darb\u0173 autorius.  <\/p>\n<p>  <b>  K\u016brybos \u012frankis &ndash; Vi\u0161ty\u010dio e\u017eero gamtos turtai   <\/b>    <br \/> <br \/>\nPagrindinis B. Leonavi\u010diaus k\u016brybos \u0161altinis &ndash; istorija, gamta ir mitologija. Parodoje pristatomose iliustracijose bei tapybos darbuose ypatingas d\u0117mesys skiriamas peiza\u017eui, ypa\u010d gimtojo Vi\u0161ty\u010dio kra\u0161tovaizd\u017eiui. \u017dvilgsniu skl\u0119sdamas vir\u0161 prie\u0161ais j\u012f atsiverian\u010di\u0173 lauk\u0173, autorius geba \u012ftikinamai perteikti ne tik erdv\u0117s, bet ir laiko atstum\u0105.  <br \/> <br \/>\nLeonavi\u010diaus gimtin\u0117je tyvuliuojantis Vi\u0161ty\u010dio e\u017eeras yra virt\u0119s ne tik menininko k\u016brybos \u0161altiniu, bet ir \u012frankiu. Lietuvos nacionalinio muziejaus parodoje rodomi ir trys skulpt\u016briniai objektai, kuriuos menininkas suk\u016br\u0117 panaudoj\u0119s e\u017eere rastus med\u017eius, akmenis bei kriaukles. \u0160ie nat\u016bral\u016bs gamtos turtai i\u0161radingai interpretuojami, suteikiant jiems nauj\u0105 form\u0105 ir i\u0161ry\u0161kinant med\u017eiagi\u0161kum\u0105.  <\/p>\n<p>Vilniaus turizmo informacijos centro info  <\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0160iandien Lietuvos nacionaliniame muziejuje pristatyta i\u0161 Vi\u0161ty\u010dio kilusio menininko darb\u0173 paroda. Daugiau nei \u0161imtas apipavidalint\u0173 knyg\u0173, nepaprastu grak\u0161tumu ir d\u0117mesiu detalei i\u0161siskiriantys grafikos, tapybos, kaligrafijos bei skulpt\u016bros darbai, su\u017eav\u0117j\u0119 ne&#8230; <\/p>\n","protected":false},"author":1,"featured_media":28600,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","jetpack_post_was_ever_published":false,"_FSMCFIC_featured_image_caption":"Iliustracija K. Donelai\u010dio ciklui \u201eMetai\u201c. \/ ","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[99],"tags":[],"class_list":["post-28599","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-parodos","pmpro-has-access"],"featured_image_urls":{"full":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20190704110602.jpg",455,364,false],"thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20190704110602-150x150.jpg",150,150,true],"medium":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20190704110602-300x240.jpg",300,240,true],"medium_large":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20190704110602.jpg",455,364,false],"large":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20190704110602.jpg",455,364,false],"1536x1536":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20190704110602.jpg",455,364,false],"2048x2048":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20190704110602.jpg",455,364,false],"post-thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20190704110602.jpg",455,364,false],"visualnews_post_thumb":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20190704110602.jpg",455,364,false],"woocommerce_thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20190704110602-300x300.jpg",300,300,true],"woocommerce_single":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20190704110602.jpg",455,364,false],"woocommerce_gallery_thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20190704110602-100x100.jpg",100,100,true]},"author_info":{"info":["admin"]},"category_info":"<a href=\"https:\/\/www.santaka.info\/index.php\/category\/kitos-temos\/parodos\/\" rel=\"category tag\">Parodos<\/a>","tag_info":"Parodos","comment_count":"0","jetpack_featured_media_url":"https:\/\/www.santaka.info\/wp-content\/uploads\/2024\/12\/20190704110602.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts\/28599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/comments?post=28599"}],"version-history":[{"count":0,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts\/28599\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/media\/28600"}],"wp:attachment":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/media?parent=28599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/categories?post=28599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/tags?post=28599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}