\u017dadins savimon\u0119<\/strong><\/p> Naujasis skulpt\u016brinis objektas interpretuoja lietuvi\u0161k\u0105 koplytstulpio tradicij\u0105 \u0161iuolaikin\u0117s skulpt\u016bros kalba. Trij\u0173 metr\u0173 auk\u0161\u010dio mediniame k\u016brinyje vaizduojama vaiko fig\u016bra, laikanti kauk\u0119 \u2013 kvie\u010dianti apm\u0105styti \u017emogaus tapatyb\u0119, vidin\u012f pa\u017einim\u0105.<\/p> Lietuvos nacionalinio muziejaus generalin\u0117 direktor\u0117 R\u016bta Ka\u010dkut\u0117 pabr\u0117\u017e\u0117, kad J. Basanavi\u010diaus 175-\u0173j\u0173 gimimo metini\u0173 programa s\u0105moningai jungia istorin\u012f paveld\u0105 ir \u0161iuolaikin\u012f men\u0105.<\/p> \u201eMin\u0117dami J. Basanavi\u010diaus 175-\u0105sias gimimo metines norime ne tik prisiminti jo asmenyb\u0119 ir darbus, bet ir parodyti, kad jo keltos id\u0117jos teb\u0117ra aktualios \u0161iandien. Tod\u0117l jubiliejini\u0173 met\u0173 programoje svarbi vieta tenka \u0161iuolaikiniam menui, kuris padeda naujai pa\u017evelgti \u012f m\u016bs\u0173 kult\u016bros paveld\u0105, tradicijas ir tapatyb\u0119\u201c, \u2013 sak\u0117 R. Ka\u010dkut\u0117.<\/p> Pasak J. Basanavi\u010diaus gimtin\u0117s direktor\u0117s R\u016btos Vasiliauskien\u0117s, k\u016brinys prasmingai \u012fsilieja \u012f jubiliejini\u0173 met\u0173 program\u0105 ir prat\u0119sia patriarcho keltus klausimus apie \u017emogaus ry\u0161\u012f su savo \u0161aknimis.<\/p> \u201eJ. Basanavi\u010diaus asmenyb\u0117 buvo daugialyp\u0117 \u2013 jam buvo svarbios mokslo, tautosakos ir medicinos sritys, jis gilinosi \u012f \u017emogaus dvasin\u012f pasaul\u012f. M. Saukos k\u016brinyje \u0161ios temos interpretuojamos \u0161iuolaiki\u0161kai, kartu derinant lietuvi\u0161kas tradicijas\u201c, \u2013 sak\u0117 R. Vasiliauskien\u0117.<\/p> Anot muziejaus direktor\u0117s, skulpt\u016bra \u201eKoplytstulpis\u201c J. Basanavi\u010diaus gimtin\u0117je stov\u0117s ne tik kaip stati\u0161kas meno k\u016brinys, bet ir skatins apm\u0105styti tautin\u0117s savimon\u0117s, istorin\u0117s atminties bei kult\u016brinio paveldo svarb\u0105 \u0161iandienos \u017emogui.<\/p> Atidengs per Jonines<\/strong><\/p> J. Basanavi\u010dius daug d\u0117mesio skyr\u0117 senosios lietuvi\u0173 kult\u016bros ir pasaul\u0117jautos tyrin\u0117jimams. Jam buvo svarb\u016bs ne tik papro\u010diai, tautosaka, mitologija, bet ir liaudies meno paminklai \u2013 kry\u017eiai, koplyt\u0117l\u0117s, stogastulpiai bei koplytstulpiai. 1912 m. studijoje \u201eLietuvi\u0173 kry\u017eiai archeologijos \u0161viesoje\u201c jis \u0161iuos k\u016brinius siejo su sen\u0105ja lietuvi\u0173 kult\u016bra, o j\u0173 ornamentikoje \u012f\u017evelg\u0117 prie\u0161krik\u0161\u010dioni\u0161kosios lietuvi\u0173 dail\u0117s p\u0117dsak\u0173.<\/p> Tod\u0117l simboli\u0161ka, kad skulpt\u016bra \u201eKoplytstulpis\u201c atidengiama b\u016btent per Jonines \u2013 Jono vardini\u0173 dien\u0105. Tai \u0161vent\u0117, kurioje iki \u0161iol gyvi archaji\u0161kosios kult\u016bros \u017eenklai, ry\u0161ys su gamta, \u0161viesa ir bendruomene \u2013 vertyb\u0117s, kurios buvo artimos ir pa\u010diam J. Basanavi\u010diui. \u201eTikiu, kad \u201eKoplytstulpis\u201c jo gimtin\u0117je stov\u0117s ne tik kaip meno k\u016brinys, bet ir skatins susim\u0105styti apie tautin\u0117s savimon\u0117s, istorin\u0117s atminties ir kult\u016bros paveldo svarb\u0105 \u0161iandien\u201c, \u2013 teig\u0117 R. Vasiliauskien\u0117.<\/p> Anot M. Saukos, \u201eKoplytstulpis\u201c \u2013 J. Basanavi\u010diaus gimtin\u0117je i\u0161kilsianti skulpt\u016bra, tod\u0117l lankytojui tur\u0117t\u0173 kilti nat\u016bralus klausimas, kaip ji siejasi su daktaro asmenybe, konkre\u010diomis id\u0117jomis ar gyvenimo faktais.<\/p> \u201eS\u0105saja, kuri\u0105 tur\u0117jau omenyje kurdamas skulpt\u016br\u0105, \u2013 tai ry\u0161ys su tradicija per koplytstulpio form\u0105. \u012e tradicin\u012f ma\u017eosios architekt\u016bros objekt\u0105 \u012fd\u0117ta skulpt\u016bra nevaizduoja jokio konkretaus \u0161ventojo, mit\u0173 ar pasak\u0173 persona\u017eo. Folkloras, pasakos, mitai gimsta i\u0161 \u017eodin\u0117s tradicijos, i\u0161 kolektyvin\u0117s k\u016brybos. Prie to ir kvie\u010diu lankytojus prisid\u0117ti. Skulpt\u016bra, \u012fkurdinta koplytstulpyje \u2013 kaip ir daugelis skulpt\u016br\u0173, tik abstrakti forma, persona\u017eas be vardo, laukiantis, kol jam bus para\u0161yta istorija. Jeigu istorija bus sukurta, jam pasiseks ir jis gyvens\u201c, \u2013 teig\u0117 skulptorius.<\/p> \u201eKoplytstulpio\u201c atidengimo ceremonija vyks bir\u017eelio 24 d., 14 val.,<\/strong> Jono Basanavi\u010diaus gimtin\u0117je O\u017ekabaliuose. Renginio metu lankytoj\u0173 taip pat lauks aktoriaus Andriaus Bialob\u017eeskio ir kompozitoriaus Jurgio Juozapai\u010dio literat\u016brin\u0117-muzikin\u0117 programa \u201eAu\u0161ros pa\u0161auktasis\u201c. Rengin\u012f u\u017ebaigs \u017eurnalisto Ry\u010dio Zemkausko moderuojamas pokalbis su menininkais.<\/p> Lietuvos nacionalinio muziejaus inf.<\/em><\/p>","protected":false},"excerpt":{"rendered":" Per Jonines, bir\u017eelio 24-\u0105j\u0105, Lietuvos nacionalinio muziejaus padalinyje Jono Basanavi\u010diaus gimtin\u0117je bus atidengtas skulptoriaus Mykolo Saukos \u201eKoplytstulpis\u201c \u2013 skulpt\u016bra, dedikuota J. Basanavi\u010diui. \u0160is \u012fvykis taps viena simbolini\u0173 J. Basanavi\u010diaus 175-\u0173j\u0173… <\/p>\n","protected":false},"author":13,"featured_media":139059,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","jetpack_post_was_ever_published":false,"_FSMCFIC_featured_image_caption":"Skulptorius Mykolas Sauka kvie\u010dia \u201eKoplytstulpio\u201c persona\u017eui sukurti istorij\u0105. \/ Ievos GUDELAITYT\u0116S nuotr.","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[27,23],"tags":[],"class_list":["post-139058","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultura","category-rajone","pmpro-has-access"],"featured_image_urls":{"full":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/06\/mykolas-sauka-1.jpg",591,354,false],"thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/06\/mykolas-sauka-1-150x150.jpg",150,150,true],"medium":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/06\/mykolas-sauka-1-300x180.jpg",300,180,true],"medium_large":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/06\/mykolas-sauka-1.jpg",591,354,false],"large":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/06\/mykolas-sauka-1.jpg",591,354,false],"1536x1536":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/06\/mykolas-sauka-1.jpg",591,354,false],"2048x2048":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/06\/mykolas-sauka-1.jpg",591,354,false],"post-thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/06\/mykolas-sauka-1.jpg",591,354,false],"visualnews_post_thumb":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/06\/mykolas-sauka-1.jpg",591,354,false],"woocommerce_thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/06\/mykolas-sauka-1-300x300.jpg",300,300,true],"woocommerce_single":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/06\/mykolas-sauka-1.jpg",591,354,false],"woocommerce_gallery_thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/06\/mykolas-sauka-1-100x100.jpg",100,100,true]},"author_info":{"info":["Gidas"]},"category_info":"Kult\u016bra<\/a> Rajone<\/a>","tag_info":"Rajone","comment_count":"0","jetpack_featured_media_url":"https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/06\/mykolas-sauka-1.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts\/139058","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/comments?post=139058"}],"version-history":[{"count":1,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts\/139058\/revisions"}],"predecessor-version":[{"id":139060,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts\/139058\/revisions\/139060"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/media\/139059"}],"wp:attachment":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/media?parent=139058"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/categories?post=139058"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/tags?post=139058"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}