Trij\u0173 Karali\u0173 dien\u0105, i\u0161kilminga ceremonija vainikuota jubiliejin\u0117, dvide\u0161imtoji, nacionalin\u0117 konkursin\u0117 liaudies dail\u0117s paroda \u201eAukso vainikas\u201c. Renginyje U\u017eutrakio dvare paskelbti ir simboliniais aukso vainikais pagerbti talentingiausi met\u0173 liaudies meistrai, kuriuos pasveikino Kult\u016bros ministr\u0117 Vaida Aleknavi\u010dien\u0117.<\/p>
Konkurso komisija, sudaryta i\u0161 \u017einom\u0173 \u0161alies menotyrinink\u0173, tautodail\u0117s pl\u0117totoj\u0173, i\u0161rinko ir geriausiais met\u0173 meistrais paskelb\u0117 med\u017eio dro\u017e\u0117j\u0105 Adolf\u0105 Andriej\u0173 Viluck\u012f i\u0161 Kretingos, liaudies instrument\u0173 meistr\u0105 Alfred\u0105 Lu\u010dinsk\u0105 i\u0161 Alksn\u0117n\u0173 (Plung\u0117s r.) ir margu\u010di\u0173 margintoj\u0105 Jurgit\u0105 Zinkien\u0119 i\u0161 Mastai\u010di\u0173 (Kauno r.).<\/p>
Sveikindama laureatus ir vis\u0105 tautodail\u0117s bendruomen\u0119, ministr\u0117 V. Aleknavi\u010dien\u0117 akcentavo, kad liaudies menas yra neatsiejama bendrojo Lietuvos kult\u016bros lauko dalis, maitinanti ir stiprinanti vis\u0105 valstyb\u0117s k\u016brybin\u012f potencial\u0105.<\/p>
\u201eKiekvienas liaudies menas yra tarsi poezija, kylanti i\u0161 \u0161irdies gelmi\u0173 ir tautin\u0117s tapatyb\u0117s, u\u017ekoduotos kiekvieno m\u016bs\u0173 savastyje. I\u0161ties liaudies menas Lietuvoje n\u0117ra tik praeities paveldas, bet ir \u0161iandien kuriama, nuolat atsinaujinanti tradicija, atgimstanti nauja forma bei i\u0161rai\u0161ka. Daugyb\u0117 \u0161ioje parodoje eksponuojam\u0173 darb\u0173 atskleid\u017eia nepaprast\u0105 m\u016bs\u0173 tautodailinink\u0173 meistri\u0161kum\u0105, k\u016brybin\u0119 \u012fvairov\u0119 ir gil\u0173 ry\u0161\u012f su etniniu paveldu. Nuo skulpt\u016bros, tekstil\u0117s ar keramikos iki margu\u010di\u0173, verb\u0173 ir sod\u0173 \u2013 visa \u0161i k\u016brini\u0173 panorama liudija gyv\u0105sias etnin\u0117s kult\u016bros tradicijas, perduodamas i\u0161 kartos \u012f kart\u0105\u201c, \u2013 sak\u0117 Kult\u016bros ministr\u0117 V. Aleknavi\u010dien\u0117.<\/p>
Ji pad\u0117kojo visiems k\u016br\u0117jams, parodos reng\u0117jams bei liaudies meno puosel\u0117tojams ir palink\u0117jo, kad \u0161i paroda tapt\u0173 \u012fkv\u0117pimu meistrams augti, o mums visiems \u2013 galimybe i\u0161 naujo atrasti ir pajausti gyv\u0105j\u012f lietuvi\u0173 liaudies meno lobyn\u0105.<\/p>
\u0160iemetinis renginys tapo i\u0161skirtine \u0161vente \u2013 U\u017eutrakio dvaro r\u016bmai vienai dienai virto gyvosios tradicijos centru. Jubiliejiniai, dvide\u0161imtieji, \u201eAukso vainiko\u201c metai paskatino organizatorius pa\u017evelgti \u012f nueit\u0105 keli\u0105: \u0161alia \u0161i\u0173me\u010di\u0173 konkursini\u0173 darb\u0173 buvo eksponuojami ir ankstesni\u0173 met\u0173 laureat\u0173 k\u016briniai. I\u0161 viso parodoje pristatoma beveik 500 darb\u0173, suk\u016brusi\u0173 \u012fsp\u016bding\u0105 liaudies meno panoram\u0105 ir atskleidusi\u0173 stipr\u0173 ry\u0161\u012f su Lietuvos etniniu paveldu.<\/p>
Lietuvos nacionalinio kult\u016bros centro nuo 2005 m. rengiamas konkursas per du de\u0161imtme\u010dius i\u0161augo \u012f vien\u0105 svarbiausi\u0173 tradicin\u0117s kult\u016bros rei\u0161kini\u0173 \u0161alyje. Paroda \u201eAukso vainikas\u201c apima itin pla\u010di\u0105 k\u016brybos skal\u0119: vaizdin\u0119 dail\u0119 (skulpt\u016br\u0105, tapyb\u0105, grafik\u0105, karpinius), taikom\u0105j\u0105 dail\u0119 (tekstil\u0119, kalvyst\u0119, keramik\u0105, med\u017eio dirbinius) bei paprotinius dirbinius (kry\u017edirbyst\u0119, sodus, margu\u010dius).<\/p>
<\/p>","protected":false},"excerpt":{"rendered":"
Trij\u0173 Karali\u0173 dien\u0105, i\u0161kilminga ceremonija vainikuota jubiliejin\u0117, dvide\u0161imtoji, nacionalin\u0117 konkursin\u0117 liaudies dail\u0117s paroda \u201eAukso vainikas\u201c. Renginyje U\u017eutrakio dvare paskelbti ir simboliniais aukso vainikais pagerbti talentingiausi met\u0173 liaudies meistrai, kuriuos pasveikino… <\/p>\n","protected":false},"author":13,"featured_media":133304,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","jetpack_post_was_ever_published":false,"_FSMCFIC_featured_image_caption":"Jono Tumasonio nuotr.","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-133303","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultura","pmpro-has-access"],"featured_image_urls":{"full":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/01\/fhD8I5JqIXo-scaled.jpg",2560,1706,false],"thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/01\/fhD8I5JqIXo-150x150.jpg",150,150,true],"medium":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/01\/fhD8I5JqIXo-300x200.jpg",300,200,true],"medium_large":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/01\/fhD8I5JqIXo-768x512.jpg",768,512,true],"large":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/01\/fhD8I5JqIXo-1024x683.jpg",1024,683,true],"1536x1536":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/01\/fhD8I5JqIXo-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/01\/fhD8I5JqIXo-2048x1365.jpg",2048,1365,true],"post-thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/01\/fhD8I5JqIXo-600x400.jpg",600,400,true],"visualnews_post_thumb":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/01\/fhD8I5JqIXo-600x400.jpg",600,400,true],"woocommerce_thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/01\/fhD8I5JqIXo-300x300.jpg",300,300,true],"woocommerce_single":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/01\/fhD8I5JqIXo-600x400.jpg",600,400,true],"woocommerce_gallery_thumbnail":["https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/01\/fhD8I5JqIXo-100x100.jpg",100,100,true]},"author_info":{"info":["Gidas"]},"category_info":"Kult\u016bra<\/a>","tag_info":"Kult\u016bra","comment_count":"0","jetpack_featured_media_url":"https:\/\/www.santaka.info\/wp-content\/uploads\/2026\/01\/fhD8I5JqIXo-scaled.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts\/133303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/comments?post=133303"}],"version-history":[{"count":1,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts\/133303\/revisions"}],"predecessor-version":[{"id":133305,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/posts\/133303\/revisions\/133305"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/media\/133304"}],"wp:attachment":[{"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/media?parent=133303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/categories?post=133303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.santaka.info\/index.php\/wp-json\/wp\/v2\/tags?post=133303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}